Terence Koh

Installation view, Terence Koh, Flowers for Baudelaire, Richard Avedon Studio, New York, 2008

Untitled

2006-2011

Glass vitrines, mixed media

Approximately: 91 x 120 x 26 inches (231.14 x 304.8 x 66.04 cm)

Untitled

2006 - 2011

Glass vitrine and mixed media

13 x 20 x 12 inches (33.02 x 50.8 x 30.48 cm)

Untitled

2006 - 2011

Glass vitrine and mixed media

14 x 24 x 14 inches (35.56 x 60.96 x 35.56 cm)

Untitled

2006 - 2011

Glass vitrine and mixed media

12 x 20 x 13 inches (30.48 x 50.8 x 33.02 cm)

Untitled (Flowers for Baudelaire)
2008

Confectioner's sugar and corn syrup on canvas

30 x 40 inches (76.2 x 101.6 cm)

Installation view, Terence Koh, tell it like it is, Sovrano Militare Ordine di Malta, Gran Priorato, Venice, Italy, 2011

Installation view, Terence Koh, Children of the Corn, Long Island, 2010
Photo by Todd Eberle

Installation view, Terence Koh, Children of the Corn, Long Island, 2010
Photo by Todd Eberle

Installation view, Terence Koh, Children of the Corn, Long Island, 2010
Photo by Todd Eberle

Installation view, Terence Koh, Children of the Corn, Long Island, 2010

Installation view, Terence Koh, Children of the Corn, Long Island, 2010

Installation view, Terence Koh, Children of the Corn, Miami, 2010
Photo by Ellen Jong

Untitled

2006

Paint, plaster, gold leaf, and varnish on wood

Unframed: 9 3/4 x 7 1/4 inches (24.765 x 18.41 cm) ; Framed: 11 3/4 x 9 3/4 inches (29.84 x 24.76 cm)

Big White Cock

Neon tubing

52 x 41 1/2 x 2 3/4 inches (132.08 x 105.41 x 6.99 cm)

Biography

Terence Koh is a Chinese-Canadian artist who has exhibited throughout the United States and abroad. His work has been the subject of several major solo exhibitions at Museo de Arte Contemporáneo de Castilla, Leon; Schirn Kunsthalle, Frankfurt; Phillips de Pury & Luxembourg, Zürich; Peres Projects, Berlin; and The Whitney Museum of American Art, New York.

Koh is celebrated for his dramatic, monochromatic sculptural installations and performance art, and founded his career with handmade books, ‘zines and prints. Art writer Mark Speigler explains in New York magazine that “what intrigues curators and collectors is that with each installation, [Koh] is constructing an idiosyncratic and visually stunning universe.”

In 2008, Vito Schnabel presented Flowers for Baudelaire at Richard Avedon’s former studio in New York. The exhibition featured approximately thirty paintings that marked the artist’s debut in this medium.

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