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Lola Montes and David McDermott

The Great Mountain Paintings 1888 & Landscapes From The Underworld

Vito Schnabel Gallery - St. Moritz

JUL 27 - SEP 15, 2024

Lola Montes Angel projection egg, Italy, 2024

Lola Montes
Angel projection egg, Italy, 2024
Hand-carved and painted ceramic
19 3/4 x 12 5/8 x 12 5/8 inches (50 x 32 x 32 cm)
© Lola Montes; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Angel projection egg, Italy, 2024

Lola Montes
Angel projection egg, Italy, 2024
Hand-carved and painted ceramic
19 3/4 x 12 5/8 x 12 5/8 inches (50 x 32 x 32 cm)
© Lola Montes; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Angel projection egg, Italy, 2024

Lola Montes
Angel projection egg, Italy, 2024
Hand-carved and painted ceramic
19 3/4 x 12 5/8 x 12 5/8 inches (50 x 32 x 32 cm)
© Lola Montes; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Angel projection egg, Italy, 2024

Lola Montes
Angel projection egg, Italy, 2024
Hand-carved and painted ceramic
19 3/4 x 12 5/8 x 12 5/8 inches (50 x 32 x 32 cm)
© Lola Montes; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Artichoke Candleholder, Italy, 2024

Lola Montes
Artichoke Candleholder, Italy, 2024
Hand carved and hand painted ceramic
12 5/8 x 7 7/8 x 7 7/8 inches (32 x 20 x 20 cm)
© Lola Montes; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Artichoke Candleholder, Italy, 2024

Lola Montes
Artichoke Candleholder, Italy, 2024
Hand carved and hand painted ceramic
12 5/8 x 7 7/8 x 7 7/8 inches (32 x 20 x 20 cm)
© Lola Montes; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Lola Montes SilQ, 2024

Lola Montes
SilQ, 2024
Hand-painted terracotta tiles mounted on steel support
52 3/8 x 36 5/8 inches (133 x 93 cm)
© Lola Montes; Photo by Gianni Mania; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Embryo, 2024

Lola Montes
Embryo, 2024
Hand-painted terracotta tiles mounted on steel support
52 3/8 x 36 5/8 inches (133 x 93 cm)
© Lola Montes; Photo by Gianni Mania; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Bones Walking on Water, 2024

Lola Montes
Bones Walking on Water, 2024
Hand-painted terracotta tiles mounted on steel support
52 3/8 x 36 5/8 inches (133 x 93 cm)
© Lola Montes; Photo by Gianni Mania; Courtesy the artist and Vito Schnabel Gallery

Lola Montes Code of Arms, 2024

Lola Montes
Code of Arms, 2024
Hand-painted terracotta tiles mounted on steel support
33 7/8 x 33 7/8 inches (86 x 86 cm)
© Lola Montes; Photo by Gianni Mania; Courtesy the artist and Vito Schnabel Gallery

Lola Montes painting on tiles

Lola Montes
The Hero’s Journey, 2024
Hand-painted terracotta tiles mounted on steel support
50 7/8 x 35 inches (129 x 89 cm)
© Lola Montes; Photo by Gianni Mania; Courtesy the artist and Vito Schnabel Gallery

Lola Montes painting on tiles

Lola Montes
The Three Realms, 2024
Hand-painted terracotta tiles mounted on steel support
63 x 31 1/2 inches (160 x 80 cm)
© Lola Montes; Photo by Gianni Mania; Courtesy the artist and Vito Schnabel Gallery

David McDermott painting of the Mount Fuji

David McDermott
Mount Fuji, 2024
Oil on lead primed Italian linen
47 3/4 x 47 3/4 x 1 7/8 inches (121 x 121 x 4.5 cm)
© David McDermott; Photo by Tim Durham; Courtesy the artist and Vito Schnabel Gallery

David McDermott painting of the Matterhorn

David McDermott
The Matterhorn, 2024
Oil on lead primed Italian linen
70 7/8 x 47 3/4 x 1 7/8 inches (180 x 121 x 4.5 cm)
© David McDermott; Photo by Uwe Beierer; Courtesy the artist and Vito Schnabel Gallery

David McDermott painting of the Vesuvio

David McDermott
Vesuvio, 2024
Oil on lead primed Italian linen
47 3/4 x 47 3/4 x 1 7/8 inches (121 x 121 x 4.5 cm)
© David McDermott; Photo by Tim Durham; Courtesy the artist and Vito Schnabel Gallery

The Italian Dolomites painting by David McDermott

David McDermott
The Italian Dolomites, 2024
Oil on lead primed Italian linen
47 3/4 x 70 7/8 x 1 7/8 inches (121 x 180 x 4.5 cm)
© David McDermott; Photo by Uwe Beierer; Courtesy the artist and Vito Schnabel Gallery

Mount Sinai painting by David McDermott

David McDermott
Mount Sinai, 2024
Oil on lead primed Italian linen
47 3/4 x 70 7/8 x 1 7/8 inches (121 x 180 x 4.5 cm)
© David McDermott; Photo by Uwe Beierer; Courtesy the artist and Vito Schnabel Gallery

Bronze Serpent painting by David McDermott

David McDermott
Moses and the Bronze Serpent, 2024
Oil on lead primed Italian linen
60 x 12 inches (152.4 x 30.5 cm)
© David McDermott; Photo by Uwe Beierer; Courtesy the artist and Vito Schnabel Gallery

Scottish mountain drawing by David McDermott

David McDermott
Scottish Mountain Drawing, 2024
Colored pencil on Italian Fabriano cotton paper
20 x 20 inches (50.8 x 50.8 cm)
© David McDermott; Photo by Andrea Rossetti; Courtesy the artist and Vito Schnabel Gallery

Press Release

Mountains, like friendships, are forged. And the rarest friendships, like mountains, endure. It is in this spirit that Vito Schnabel Gallery is pleased to announce the joint exhibition of David McDermott and Lola Montes, opening July 27 in St. Moritz, two artists whose friendship spans four decades: the elder McDermott acting as a catalytic beacon and constant supporter of the younger Montes in the process of discovering her artistic practice.

McDermott, an artist whose work has been exhibited internationally since the 1980s, presents his latest pictures in richly encoded paintings of mountains from around the world, extending this eternal theme in art through the lens of the Aesthetic Movement. McDermott’s emphatic insistence on the beautiful, the miraculous, looks beyond promises of techno-modernity to mirror themes of 19th century artists’ rejection of the Industrial Revolution, a collision that would drive creative forces both to retreat from this “brave new world” and simultaneously push forward to unexplored faraway lands. Crafted with painstaking devotion using the finest materials, McDermott melds his voluminous understanding of past traditions into a precisely colored palimpsest of each mountain’s respective elemental iconography. His is an aerial vision of aspiration, creating inspiring icons of what the viewer has yet to attain.

Montes takes the subterranean route, excavating rare clays and pigments from the earth itself, remainders and chthonic reminders of the eruption of Mt. Etna which looms near her studio in Sicily. In uncovering these hidden materials then fusing them both through the flames of her unconscious vision and the searing heat of clay-firing kilns, Montes’ amalgam of exacting ancient techniques yields results unknown even to her until the work’s completion. In these blindfolded acts of imaginative epiphany, her work is a windswept ascent to the summit: a topological dreamscape of myth and emotion.

They are the physical and sculptural nature of drawing woven through mud and then sifted into the delicate and gossamer sheen of faience - a miraculous high wire act.

What is even more miraculous however, is when the smile of The Fates brings two kindred spirits together, separated by generations, in a lifelong friendship of flourishing adventure and seeking, with them - and us - as the grateful beneficiaries of the treasures they bring home to share.

Like mountains and all rare friendships, this exhibition is a revelation.

Opening July 27, 2024, The Great Mountain Paintings 1888 & Landscapes From The Underworld will be on view at Vito Schnabel Gallery, St. Moritz through September 15, 2024.