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Painting of cherry pie by Trey Abdella

Trey Abdella
Time Doesn't Heal All Wounds, 2022
Acrylic, epoxy clay, glass, foam, glitter, epoxy paste, resin, and 3D hologram fan on canvas wrapped panel
100 x 74 1/2 x 5 1/2 inches (254 x 189.2 x 14 cm)
© Trey Abdella; Photo Shark Senesac; Courtesy the artist and Vito Schnabel Gallery

In Trey Abdella’s gargantuan paintings, the American Dream is alive and well—or at least hooked up to some kind of terrible machine invented in a moment of desperation, keeping the blood pumping if only by a technicality. His beautiful blond figures have bright-blue eyes, but no warmth; their grayish skin looks corpse-like.

Abdella grew up in West Virginia, surrounded by poverty and people who would eventually vote to “Make America Great Again.” He wound up in New York in 2013 after following a former girlfriend who had stood out in their art department at West Virginia University for her unusual ambition. In the city, Abdella transferred to the School of Visual Arts and majored in illustration; the way his pictures tell stories—often, they veer past the illustrative toward the cinematic—betrays this background.