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An oil painting by Pat Steir titled Orange One, 2018

Pat Steir
Orange One, 2018
Oil on canvas
60h x 60w in (152.40h x 152.40w cm)

© Pat Steir Photo by Elisabeth Bernstein Courtesy the artist and Levy Gorvy

Pat Steir has always had a poetic sensibility. As a child, her nickname was “Tree”—a play on Pa-tri-cia, and maybe a reference to her preternatural toughness and her instinctive grit. She can recall composing a verse “in the playpen”: “Which tree is me? Me or the tree?”

A similar melding of poignant lyricism and piercing inquiry governs Pat Steir: Artist, director Veronica Gonzalez Peña’s affecting new documentary released this week on several streaming platforms. In it, Steir’s spirited ruminations on her work—large-scale paintings produced by pouring, dripping, and splashing colors thinned with linseed oil and turpentine—become a kind of feminist manifesto: For a woman artist of her generation, it took an iron will just to be in the picture.

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